I Need to Talk to You About the Security Burn After Reading
Reviews
-
Nov 01, 2021
v.7/x — "Mediocre"/"Passable"
5.seven/10 — "Mediocre"/"Passable"
-
Sep 03, 2021
Sure, the plot of Burn down After Reading is ludicrous, filled with absurd coincidences and highly improbable scenarios, but rarely has something so ludicrous been so entertaining. Centering effectually a former CIA amanuensis'southward lost figurer disc containing a portion of his memoir, this Coen brothers' offering features an all-star cast, including Frances McDormand, Brad Pitt, George Clooney, John Malkovich, Tilda Swinton and J.K. Simmons, among others. It's a classic Coen brothers 'fish out of water/in over your caput' story, similar Fargo or No Country for Erstwhile Men, with characters pinballing their style through impossible situations, not fully understanding the touch of their actions on others. The acting is uniformly slap-up and the dialogue is fantastic every bit the Coens bear witness once more that fifty-fifty an average film by the brothers is better than most other movies by a significant margin.
Sure, the plot of Burn Afterwards Reading is ludicrous, filled with absurd coincidences and highly improbable scenarios, just rarely has something so ludicrous been so entertaining. Centering around a erstwhile CIA agent'south lost computer disc containing a portion of his memoir, this Coen brothers' offer features an all-star cast, including Frances McDormand, Brad Pitt, George Clooney, John Malkovich, Tilda Swinton and J.K. Simmons, among others. It's a classic Coen brothers 'fish out of h2o/in over your head' story, like Fargo or No Land for Old Men, with characters pinballing their way through incommunicable situations, non fully understanding the touch on of their actions on others. The acting is uniformly great and the dialogue is fantastic as the Coens prove once again that even an average film by the brothers is improve than about other movies by a significant margin.
-
Aug 13, 2021
Information technology'southward basically a proficient screwball comedy, with occasional moments of a spy thriller and a recurring thread of poignant humanity equally the deeply wounded and colorful characters reveal their weaknesses and struggles. It is animated by clever plot twists but is worth watching by and large for the outstanding acting. McDormand, Malkovich, Clooney, Pitt and Swinton are great.
It's basically a skilful screwball one-act, with occasional moments of a spy thriller and a recurring thread of poignant humanity as the deeply wounded and colorful characters reveal their weaknesses and struggles. It is animated by clever plot twists but is worth watching by and large for the outstanding acting. McDormand, Malkovich, Clooney, Pitt and Swinton are great.
-
Aug 04, 2021
This film was an absolute hoot. I haven't laughed that hard in a moving picture in a long time and that's a good thing because other than laughs this movie doesn't offer much but I guess that'due south considering it'southward entire offering is laughs. All that to say this movie was hilarious, shocking and absolutely bonkers and I loved information technology. I can really get behind a movie that sets up an elaborate firm of cards just to send it crashing down in the most fun way possible even if that's all it does. The art of being genuinely smart and actually funny is an enviable and applaudable thing and I can't help but requite the Coen brothers all the credit for i of the greatest houses of cards I take ever had the distinct pleasure of watching. The motion picture but gets faster and faster and more and more ridiculous and then it all finally goes up in the best manner. Just it wasn't just the plot and dialogue, the actors add a special spice of their own. They are obviously having a ton of fun with this movie and the ridiculousness of the characters makes for some of the hammiest and silliest performances I've seen. Brad Pitt was my personal favorite, this guy is unbelievable. Every activity, word and glance from Pitt was spot on and hilarious and he definitely had my favorite line in a film that is actually quotable (Osbourne Cox? I thought you might be worried… about the security… of your S***). Next is George Clooney who spirals with such over the elevation gusto that it'south a wonder to behold. Frances McDormand, John Malkovich, Tilda Swinton, all so excellent and the icing on the cake: a drole helping of J.K Simmons. The i criticism that I would have for this movie, and with "firm of cards" movies in general is that past design, the audience is left with nothing at all substantive to walk out with except a vague feeling of emptiness (this criticism can be leveled at a lot of the Coen's piece of work too). What makes this worse is that this movie ends with a peculiarly nasty murder with a hatchet, which is certainly a grim send off and the worst shock in a movie peppered with them. I guess that's not even true almost the ending. The scene is actually pretty funny (they say Tarantino is the master of funny violence just the Coens could give him a run for his money) and it'southward not the last scene of the movie. In the bodily terminal scene, J.Chiliad. Simmons gives a perfect summation of how to walk abroad from this movie: "What did nosotros larn palmer? I don't know, sir. I don't f*****' know either. I guess nosotros learned not to do it once again. Yep, sir. I'm f***** if I know what we did. Yes, sir, it's, uh, hard to say." And there you get. You win again Coen brothers. How do you guys practice it?
This moving picture was an absolute hoot. I haven't laughed that hard in a movie in a long fourth dimension and that's a good thing considering other than laughs this movie doesn't offering much merely I guess that's because it's entire offering is laughs. All that to say this picture was hilarious, shocking and absolutely bonkers and I loved information technology. I can really become behind a motion picture that sets up an elaborate house of cards just to transport it crashing downward in the most fun style possible fifty-fifty if that's all it does. The art of beingness genuinely smart and really funny is an enviable and applaudable thing and I can't assistance merely give the Coen brothers all the credit for one of the greatest houses of cards I have ever had the distinct pleasure of watching. The movie just gets faster and faster and more and more ridiculous and then it all finally goes upwardly in the all-time way. But it wasn't just the plot and dialogue, the actors add a special spice of their own. They are plainly having a ton of fun with this pic and the ridiculousness of the characters makes for some of the hammiest and silliest performances I've seen. Brad Pitt was my personal favorite, this guy is unbelievable. Every action, discussion and glance from Pitt was spot on and hilarious and he definitely had my favorite line in a film that is really quotable (Osbourne Cox? I thought you might be worried… well-nigh the security… of your S***). Next is George Clooney who spirals with such over the top gusto that it's a wonder to behold. Frances McDormand, John Malkovich, Tilda Swinton, all so excellent and the icing on the block: a drole helping of J.M Simmons. The one criticism that I would have for this moving picture, and with "house of cards" movies in general is that past design, the audience is left with aught at all substantive to walk out with except a vague feeling of emptiness (this criticism can be leveled at a lot of the Coen's work too). What makes this worse is that this movie ends with a particularly nasty murder with a hatchet, which is certainly a grim send off and the worst daze in a movie brindled with them. I estimate that's not even true about the ending. The scene is really pretty funny (they say Tarantino is the master of funny violence only the Coens could requite him a run for his coin) and information technology'south non the last scene of the film. In the actual concluding scene, J.K. Simmons gives a perfect summation of how to walk away from this pic: "What did nosotros learn palmer? I don't know, sir. I don't f*****' know either. I judge nosotros learned not to practise it over again. Aye, sir. I'1000 f***** if I know what we did. Yep, sir, information technology's, uh, hard to say." And there you get. You win again Coen brothers. How exercise you guys do it?
-
Aug 02, 2021
This is a disappointing Coen Brothers film. Somehow the plot called for more seriously played characters equally Malkovich did in playing the fired CIA annotator which makes his character, Osbourne Cox, non only darkly comedic but too relatable. I only couldn't quite connect with the other characters.
This is a disappointing Coen Brothers motion-picture show. Somehow the plot called for more seriously played characters as Malkovich did in playing the fired CIA analyst which makes his character, Osbourne Cox, not only darkly comedic but also relatable. I but couldn't quite connect with the other characters.
-
Jul 27, 2021
practiced beginning, practiced middle, good end, good acting, practiced pic. if all online streaming/services were to end today, this is one i would buy a hard copy of for my new collection.
skilful kickoff, good middle, adept cease, good acting, adept film. if all online streaming/services were to cease today, this is 1 i would purchase a hard re-create of for my new collection.
-
Jul 10, 2021
JK Simmons makes this motion picture worth watching 😄
JK Simmons makes this pic worth watching 😄
-
Jul 02, 2021
Splendid performances uplift a sharp spy spoof! Joel and Ethan Coen's espionage one-act Burn Later on Reading (2008) is a blast every bit The Coen Brothers transport up the entire spy genre. Joel and Ethan Coen's writing is quite hitting equally they find means to connect seemingly unrelated people all in the same conspiracy of confidential information. Burn Later on Reading's narrative starts out simple enough, then devolves into controlled chaos as these meaning figures all cantankerous paths in i delightful espionage farce. The Coen Brothers direct Fire After Reading by divining glee from the misery of each of these ridiculously over the height characters, while establishing the growing sense of paranoia like whatever smashing paranoia thriller of old with spies, data, and authorities hush ups. While not the funniest Coen Bros. picture, it's one of their silliest and easily enjoyable. Brad Pitt steals the show equally this jerkoff fitness instructor, who mostly just exercises himself rather than help anyone else. Pitt's Republic of chad Feldheimer character is completely selfish, idiotic, and an opportunist. I want more comedy roles from the slap-up dramatic actor Brad Pitt as information technology'southward hysterical watching Pitt's stupid dance, outrageous workouts, and goofy physical comedy moments. John Malkovich is and so peachy as the easily furious, alcoholic government amanuensis Osborne Cox. His low later on getting demoted and quitting is hilarious. Malkovich's sudden rage is sublimely entertaining, especially during Burn After Reading's shocking finale. George Clooney is excellent as the womanizing piece of trash cheater Harry Pfarrer. His charismatic flirting is funny, only it's Clooney'south blowhard mental attitude that is and so fun about his character. His suave delivery and perfect comedy timing is e'er a pleasure to picket. Frances McDormand is really fun as fettle instructor Linda Litzke, who badly wants plastic surgery even at the cost of blackmail. Her nervous and precise faces let you lot know exactly how frustrated, scared, or hopeful she is at all times. Tilda Swinton is fantastic every bit the commanding lady Katie Cox, who gleefully deplores John Malkovich's Osborne, while fawning over the scumbag George Clooney's Harry. Richard Jenkins' pathetically in honey Ted is excellent as he can never say how he feels. Elizabeth Marvel is wonderful equally the bored with her marriage children'south author Sandy Pfarrer. J.Yard. Simmons is simply amazing as the nonchalant government official. Joel and Ethan Coen's editing is super fastly cut, giving Fire Later on Reading an ultra fast pace, which is unique for a Coen Brothers film. It inappreciably feels its cursory 96 runtime. Emmanuel Lubezki's stunning cinematography plays around with shut-ups capturing feet stepping or eyes peering from behind a closet door to a wide shot of an axe crushing a human being's skull. All the sense of humor from The Coen Brothers' smart script gets laughs out of these goofy to hilarious shots. Jess Gonchor'south production blueprint gives Washington D.C. a sterile look, all clean and tidy. Nancy Haigh'southward set decoration creates fancy home furnishings to dismal average house looks. Randall Balsmeyer and Adrienne Winterhalter's visual furnishings for the crucial gunshot is explosive with a gritty realism to the axe stabs into the head. Carter Burwell's score is playful and heady that keeps pace with Fire After Reading's insane story satirizing regime clean ups and how easily information can spread. Mary Zophres' costumes are so seriously outlandish for Brad Pitt'due south fitness trainer to Tilda Swinton'south dressy suits, y'all'll love them! In brusk, Burn After Reading aged well from a decently funny one-act to a brilliantly executed spoof of espionage films.
Splendid performances uplift a sharp spy spoof! Joel and Ethan Coen's espionage comedy Burn After Reading (2008) is a nail as The Coen Brothers ship up the unabridged spy genre. Joel and Ethan Coen's writing is quite hitting every bit they find ways to connect seemingly unrelated people all in the same conspiracy of confidential data. Burn After Reading's narrative starts out simple enough, then devolves into controlled chaos equally these significant figures all cross paths in one delightful espionage farce. The Coen Brothers direct Burn After Reading past divining glee from the misery of each of these ridiculously over the top characters, while establishing the growing sense of paranoia like any not bad paranoia thriller of old with spies, data, and government hush ups. While non the funniest Coen Bros. picture, it's i of their silliest and easily enjoyable. Brad Pitt steals the show every bit this jerkoff fitness teacher, who generally just exercises himself rather than help anyone else. Pitt'south Republic of chad Feldheimer graphic symbol is completely selfish, idiotic, and an opportunist. I want more comedy roles from the great dramatic histrion Brad Pitt as it'southward hysterical watching Pitt'southward stupid dance, outrageous workouts, and goofy physical one-act moments. John Malkovich is so bang-up every bit the easily furious, alcoholic regime agent Osborne Cox. His depression later getting demoted and quitting is hilarious. Malkovich's sudden rage is sublimely entertaining, especially during Burn After Reading's shocking finale. George Clooney is splendid as the womanizing slice of trash cheater Harry Pfarrer. His charismatic flirting is funny, simply information technology's Clooney's blowhard attitude that is so fun about his graphic symbol. His suave commitment and perfect one-act timing is always a pleasance to lookout. Frances McDormand is really fun as fitness teacher Linda Litzke, who desperately wants plastic surgery even at the price of bribery. Her nervous and precise faces allow you know exactly how frustrated, scared, or hopeful she is at all times. Tilda Swinton is fantastic as the commanding lady Katie Cox, who gleefully deplores John Malkovich's Osborne, while fawning over the scumbag George Clooney's Harry. Richard Jenkins' pathetically in love Ted is fantabulous as he can never say how he feels. Elizabeth Marvel is wonderful as the bored with her marriage children's author Sandy Pfarrer. J.K. Simmons is merely astonishing as the nonchalant authorities official. Joel and Ethan Coen's editing is super fastly cut, giving Burn Later Reading an ultra fast pace, which is unique for a Coen Brothers motion picture. It hardly feels its brief 96 runtime. Emmanuel Lubezki'southward stunning cinematography plays effectually with shut-ups capturing anxiety stepping or optics peering from behind a closet door to a wide shot of an axe crushing a man's skull. All the humor from The Coen Brothers' smart script gets laughs out of these goofy to hilarious shots. Jess Gonchor's product design gives Washington D.C. a sterile look, all make clean and tidy. Nancy Haigh'south set ornamentation creates fancy home furnishings to dismal average house looks. Randall Balsmeyer and Adrienne Winterhalter's visual effects for the crucial gunshot is explosive with a gritty realism to the axe stabs into the head. Carter Burwell's score is playful and exciting that keeps pace with Burn Later on Reading'southward insane story satirizing regime clean ups and how hands information can spread. Mary Zophres' costumes are so seriously outlandish for Brad Pitt'due south fitness trainer to Tilda Swinton'south dressy suits, you'll love them! In curt, Burn After Reading anile well from a decently funny comedy to a brilliantly executed spoof of espionage films.
-
Jun 29, 2021
offbeat fun. liked it a lot. story is spotty at times.
offbeat fun. liked it a lot. story is spotty at times.
-
Jun xi, 2021
Full sleeper! I was pleasantly surprised at this movie. Definitely a funny movie!
Total sleeper! I was pleasantly surprised at this movie. Definitely a funny movie!
Source: https://www.rottentomatoes.com/m/burn_after_reading/reviews?type=user
Postar um comentário for "I Need to Talk to You About the Security Burn After Reading"